Contemporary artist

When addressing flowers, there is a search of the human being in the landscape, especially the flowery landscapes, where I use hiding poetry that looms in its unpretentious atmosphere to recreate what we are: love, abundance, beauty, like flowers and color. 

And in spite of being paintings that merge from flowers and landscapes, at the end they recreate themselves and handle a dialectic of their own, so, in the same painting there are many levels, where something is covered so that something else is seen, referring in continuous dialogue; thus, these flowers do not pretend to be a reference of known gardens, they do not pretend to be roses, or carnations or poppies, they are only flowers that can exist on the canvas and the imagination. This work of gardens is not influenced by the environment where I am, not like the impressionists who acted according to their external referent, but rather as an alchemist who investigates with potions, I am more confortable in a laboratory, I am more confortable in a workshop because my origin comes from etching.