Plenty Wild Flowers series

alrededor-del-cuerpo
Alrededor de-la-mesa
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Alrededor de la ventana
27835899_10214459323492388_1964156784_o
27901346_10214459315852197_1808828640_o
28340754_10214625101876744_1974784995_o
Pequeños....-detalle
destellos-turqueza
Pequeños...
Jardin-primaveral
detalle-1
Profundo-Silvestre

Rain & wild Flowers serie

Rojo-Floral-I
Morado
Cuadro blanco
Wild blue garden
Un-campo-rojo
Rojo-Floral-IV
Ilusión_en_Rojo
Noche-Marfil
Sepia, siena y ocre
wild_flowers_gómez
naranja
Jardín_en_amarillo_ocre
Moonlight II
garden_of_light
Blanco_crepúsculo_en_flor
Amarillo-y-terracota
Blanco-y-magentas
Rojo-en-mayo
Dorado,-lluvia-sobre-azul
Red Wet Garden
desde el rojo jardin
Morada morada
Azul jardin
Azul
Un campo rojo
Purple
IMG_0360_edited
IMG_0360_edited
Flor-blanca-proceso
Flor-blanca-proceso
cuatro-hortencias
cuatro-hortencias
Red petals
Red petals
flotando en el agua
flotando en el agua
Zapato
Zapato
Red
Red
Blue
Blue
Ochre
Ochre

When addressing flowers, there is a search of the human being in the landscape, especially the flowery landscapes, where I use hiding poetry that looms in its unpretentious atmosphere to recreate what we are: love, abundance, beauty, like flowers and color. 

And in spite of being paintings that merge from flowers and landscapes, at the end they recreate themselves and handle a dialectic of their own, so, in the same painting there are many levels, where something is covered so that something else is seen, referring in continuous dialogue; thus, these flowers do not pretend to be a reference of known gardens, they do not pretend to be roses, or carnations or poppies, they are only flowers that can exist on the canvas and the imagination. This work of gardens is not influenced by the environment where I am, not like the impressionists who acted according to their external referent, but rather as an alchemist who investigates with potions, I am more confortable in a laboratory, I am more confortable in a workshop because my origin comes from etching.